ratio of word probabilities predicted from brain for closet and hammer

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closet

hammer

top 10 words in brain distribution (in article):
build house design wall construction size century provide space common top 10 words in brain distribution (in article):
form energy muscle power produce human time bone structure animal

top 10 words in brain distribution (not in article):
material city wood church paint fuel store floor structure state top 10 words in brain distribution (not in article):
cell church fuel engine vehicle body gas wheel car brain

times more probable under closet 30 20 10 6 4 2.5 1.25 1 1.25 2.5 4 6 10 20 30 times more probable under hammer
(words not in the model)

A closet'" (especially in North American usage) is a small and enclosed space, a cabinet, or a cupboard in a house or building used for general storage or hanging clothes. A closet for food storage is usually referred to as a "pantry". A closet, through French from Latin "clausum", "closed" began life in the seventeenth century as a small private room, often behind a bedroom, to which a man or woman could retire, for privacy, reading, or enjoyment of personal works of art: for this usage, see Cabinet (architecture). Modern closets can be built into the walls of the house during construction so that they take up no apparent space in the bedroom, or they can be a large, free-standing piece of furniture designed for clothes storage, in which case they are often called a wardrobe or armoire. Closets are often built under stairs, thereby using awkward space that would otherwise go unused. In current British usage, a "wardrobe" can also be built-in, and the word "cupboard" can be used to refer to a closet. In Elizabethan and Middle English, "closet" referred to a larger room in which a person could sit and read in private, but now refers to a small room in general. In Indian usage, a closet often refers to a toilet. This probably originated from the word "water closet", which refers to a flush toilet. In North America, chests, trunks and wall-mounted pegs typically provided storage prior to World War II. Built-in wall closets were uncommon and where they did exist, they tended to be small and shallow. Following World War II, however, deeper, more generously sized closets were introduced to new housing designs, which proved to be very attractive to buyers. It has even been suggested that the closet was a major factor in peoples' migration to the suburbs. Closet tax question in colonial America. Though some sources claim that colonial American houses often lacked closets because of a "closet tax" imposed by the British crown, others argue that closets were absent in most houses simply because their residents had few possessions. Closets in pop culture. Figuratively, a closet is a place where one hides things; "having skeletons in one's closet" is a figure of speech for having particularly sensitive secrets. Thus, "closet" as an adjective means "secret"—usually with a connotation of vice or shame, as in "a closet alcoholic" or "a closet homosexual," though sometimes used as a humorous exaggeration for any potential embarrassment, as in "a closet comic book fan." To "come out of the closet" is to admit your secrets publicly, but this is now used almost exclusively in reference to homosexuality. The documentary "The Celluloid Closet" uses this reference to gay people in its examination of how Hollywood films have depicted homosexuals on the screen. This is also extensively used in a controversial episode of "South Park". Psychologically, bedroom closets are the center of many childhood fears. Children fear during the night that a monster or any other paranormal creature hides inside the closet, and is destined to frighten the child. The Bogeyman is one prominent example. This is a common theme in films. In the first of the "Poltergeist" movies, the closet was the area of the family house the ghosts hid in to kidnap the child. And the "monster in the closet" fear was developed for comedic possibilities in film "Monsters, Inc.", in which monsters teleport into children's closets at night from a central location in order to scare them as a means of collecting screams, which run the monster economy. In the newspaper comic "Bloom County", the character Binkley had an "anxiety closet" in his bedroom, from which his fears would manifest themselves, while he was sleeping. For example, a librarian wielding a battle-axe, which then struck the headboard of his bed, attacked due to an overdue library book. Similarly, Opus the penguin from the Sunday strip Opus also has a closet which houses his worries. A hammer'" is a tool meant to deliver an impact to an object. The most common uses are for driving nails, fitting parts, and breaking up objects. Hammers are often designed for a specific purpose, and vary widely in their shape and structure. Usual features are a handle and a head, with most of the weight in the head. The basic design is hand-operated, but there are also many mechanically operated models for heavier uses. The hammer is a basic tool of many professions, and can also be used as a weapon. By analogy, the name "'hammer'" has also been used for devices that are designed to deliver blows, e.g. in the caplock mechanism of firearms. History. The use of simple tools dates to about 2,400,000 BCE when various shaped stones were used to strike wood, bone, or other stones to break them apart and shape them. Stones attached to sticks with strips of leather or animal sinew were being used as hammers by about 30,000 BCE during the middle of the Paleolithic Stone Age. Its archeological record means it is perhaps the oldest human tool known. Designs and variations. The essential part of a hammer is the head, a compact solid mass that is able to deliver the blow to the intended target without itself deforming. The opposite side of a ball as in the ball-peen hammer and the cow hammer. Some upholstery hammers have a magnetized appendage, to pick up tacks. In the hatchet the hammer head is secondary to the cutting edge of the tool. In recent years the handles have been made of durable plastic or rubber. The hammer varies at the top, some are larger than others giving a larger surface area to hit different sized nails and such, Mechanically-powered hammers often look quite different from the hand tools, but nevertheless most of them work on the same principle. They include: In professional framing carpentry, the hammer has almost been completely replaced by the nail gun. In professional upholstery, its chief competitor is the staple gun. Hammer as a force amplifier. A hammer is basically a force amplifier that works by converting mechanical work into kinetic energy and back. In the swing that precedes each blow, a certain amount of kinetic energy gets stored in the hammer's head, equal to the length "D" of the swing times the force "f" produced by the muscles of the arm and by gravity. When the hammer strikes, the head gets stopped by an opposite force coming from the target; which is equal and opposite to the force applied by the head to the target. If the target is a hard and heavy object, or if it is resting on some sort of anvil, the head can travel only a very short distance "d" before stopping. Since the stopping force "F" times that distance must be equal to the head's kinetic energy, it follows that "F" will be much greater than the original driving force "f" — roughly, by a factor "D" "d". In this way, great strength is not needed to produce a force strong enough to bend steel, or crack the hardest stone. Effect of the head's mass. The amount of energy delivered to the target by the hammer-blow is equivalent to one half the mass of the head times the square of the head's speed at the time of impact ([Formula 1]). While the energy delivered to the target increases linearly with mass, it increases geometrically with the speed (see the effect of the handle, below). High tech titanium heads are lighter and allow for longer handles, thus increasing velocity and delivering more energy with less arm fatigue than that of a steel head hammer of the same weight. As hammers must be used in many circumstances, where the position of the person using them cannot be taken for granted, trade-offs are made for the sake of practicality. In areas where one has plenty of room, a long handle with a heavy head (like a sledge hammer) can deliver the maximum amount of energy to the target. But clearly, it's unreasonable to use a sledge hammer to drive upholstery tacks. Thus, the overall design has been modified repeatedly to achieve the optimum utility in a wide variety of situations. Effect of the handle. The handle of the hammer helps in several ways. It keeps the user's hands away from the point of impact. It provides a broad area that is better-suited for gripping by the hand. Most importantly, it allows the user to maximize the speed of the head on each blow. The primary constraint on additional handle length is the lack of space in which to swing the hammer. This is why sledge hammers, largely used in open spaces, can have handles that are much longer than a standard carpenter's hammer. The second most important constraint is more subtle. Even without considering the effects of fatigue, the longer the handle, the harder it is to guide the head of the hammer to its target at full speed. Most designs are a compromise between practicality and energy efficiency. Too long a handle: the hammer is inefficient because it delivers force to the wrong place, off-target. Too short a handle: the hammer is inefficient because it doesn't deliver enough force, requiring more blows to complete a given task. Recently, modifications have also been made with respect to the effect of the hammer on the user. A titanium head has about 3% recoil and can result in greater efficiency and less fatigue when compared to a steel head with about 27% recoil. Handles made of shock-absorbing materials or varying angles attempt to make it easier for the user to continue to wield this age-old device, even as nail guns and other powered drivers encroach on its traditional field of use. War hammers. The concept of putting a handle on a weight to make it more convenient to use may well have led to the very first weapons ever invented. The club is basically a variant of a hammer. In the Middle Ages, the war hammer became popular when edged weapons could no longer easily penetrate some forms of armour. Symbolic hammers. The hammer, being one of the most used tools by "Homo sapiens", has been used very much in symbols and arms. In the Middle Ages it was used often in blacksmith guild logos, as well as in many family symbols. The most recognised symbol with a hammer in it is the Hammer and Sickle, which was the symbol of the former Soviet Union. The hammer in this symbol represents the industrial working class (and the sickle the agricultural working class). The hammer is used in some coat of arms in (former) socialist countries like East Germany. In Norse Mythology, Thor, the god of thunder and lightning, wields a hammer named Mjolnir. Many artifacts of decorative hammers have been found leading many modern practitioners of this religion to often wear reproductions as a sign of their faith.

closet	hammer
top 10 words in brain distribution (in article): build house design wall construction size century provide space common	top 10 words in brain distribution (in article): form energy muscle power produce human time bone structure animal
top 10 words in brain distribution (not in article): material city wood church paint fuel store floor structure state	top 10 words in brain distribution (not in article): cell church fuel engine vehicle body gas wheel car brain
times more probable under closet 30 20 10 6 4 2.5 1.25 1 1.25 2.5 4 6 10 20 30 times more probable under hammer (words not in the model)
A closet'" (especially in North American usage) is a small and enclosed space, a cabinet, or a cupboard in a house or building used for general storage or hanging clothes. A closet for food storage is usually referred to as a "pantry". A closet, through French from Latin "clausum", "closed" began life in the seventeenth century as a small private room, often behind a bedroom, to which a man or woman could retire, for privacy, reading, or enjoyment of personal works of art: for this usage, see Cabinet (architecture). Modern closets can be built into the walls of the house during construction so that they take up no apparent space in the bedroom, or they can be a large, free-standing piece of furniture designed for clothes storage, in which case they are often called a wardrobe or armoire. Closets are often built under stairs, thereby using awkward space that would otherwise go unused. In current British usage, a "wardrobe" can also be built-in, and the word "cupboard" can be used to refer to a closet. In Elizabethan and Middle English, "closet" referred to a larger room in which a person could sit and read in private, but now refers to a small room in general. In Indian usage, a closet often refers to a toilet. This probably originated from the word "water closet", which refers to a flush toilet. In North America, chests, trunks and wall-mounted pegs typically provided storage prior to World War II. Built-in wall closets were uncommon and where they did exist, they tended to be small and shallow. Following World War II, however, deeper, more generously sized closets were introduced to new housing designs, which proved to be very attractive to buyers. It has even been suggested that the closet was a major factor in peoples' migration to the suburbs. Closet tax question in colonial America. Though some sources claim that colonial American houses often lacked closets because of a "closet tax" imposed by the British crown, others argue that closets were absent in most houses simply because their residents had few possessions. Closets in pop culture. Figuratively, a closet is a place where one hides things; "having skeletons in one's closet" is a figure of speech for having particularly sensitive secrets. Thus, "closet" as an adjective means "secret"—usually with a connotation of vice or shame, as in "a closet alcoholic" or "a closet homosexual," though sometimes used as a humorous exaggeration for any potential embarrassment, as in "a closet comic book fan." To "come out of the closet" is to admit your secrets publicly, but this is now used almost exclusively in reference to homosexuality. The documentary "The Celluloid Closet" uses this reference to gay people in its examination of how Hollywood films have depicted homosexuals on the screen. This is also extensively used in a controversial episode of "South Park". Psychologically, bedroom closets are the center of many childhood fears. Children fear during the night that a monster or any other paranormal creature hides inside the closet, and is destined to frighten the child. The Bogeyman is one prominent example. This is a common theme in films. In the first of the "Poltergeist" movies, the closet was the area of the family house the ghosts hid in to kidnap the child. And the "monster in the closet" fear was developed for comedic possibilities in film "Monsters, Inc.", in which monsters teleport into children's closets at night from a central location in order to scare them as a means of collecting screams, which run the monster economy. In the newspaper comic "Bloom County", the character Binkley had an "anxiety closet" in his bedroom, from which his fears would manifest themselves, while he was sleeping. For example, a librarian wielding a battle-axe, which then struck the headboard of his bed, attacked due to an overdue library book. Similarly, Opus the penguin from the Sunday strip Opus also has a closet which houses his worries.	A hammer'" is a tool meant to deliver an impact to an object. The most common uses are for driving nails, fitting parts, and breaking up objects. Hammers are often designed for a specific purpose, and vary widely in their shape and structure. Usual features are a handle and a head, with most of the weight in the head. The basic design is hand-operated, but there are also many mechanically operated models for heavier uses. The hammer is a basic tool of many professions, and can also be used as a weapon. By analogy, the name "'hammer'" has also been used for devices that are designed to deliver blows, e.g. in the caplock mechanism of firearms. History. The use of simple tools dates to about 2,400,000 BCE when various shaped stones were used to strike wood, bone, or other stones to break them apart and shape them. Stones attached to sticks with strips of leather or animal sinew were being used as hammers by about 30,000 BCE during the middle of the Paleolithic Stone Age. Its archeological record means it is perhaps the oldest human tool known. Designs and variations. The essential part of a hammer is the head, a compact solid mass that is able to deliver the blow to the intended target without itself deforming. The opposite side of a ball as in the ball-peen hammer and the cow hammer. Some upholstery hammers have a magnetized appendage, to pick up tacks. In the hatchet the hammer head is secondary to the cutting edge of the tool. In recent years the handles have been made of durable plastic or rubber. The hammer varies at the top, some are larger than others giving a larger surface area to hit different sized nails and such, Mechanically-powered hammers often look quite different from the hand tools, but nevertheless most of them work on the same principle. They include: In professional framing carpentry, the hammer has almost been completely replaced by the nail gun. In professional upholstery, its chief competitor is the staple gun. Hammer as a force amplifier. A hammer is basically a force amplifier that works by converting mechanical work into kinetic energy and back. In the swing that precedes each blow, a certain amount of kinetic energy gets stored in the hammer's head, equal to the length "D" of the swing times the force "f" produced by the muscles of the arm and by gravity. When the hammer strikes, the head gets stopped by an opposite force coming from the target; which is equal and opposite to the force applied by the head to the target. If the target is a hard and heavy object, or if it is resting on some sort of anvil, the head can travel only a very short distance "d" before stopping. Since the stopping force "F" times that distance must be equal to the head's kinetic energy, it follows that "F" will be much greater than the original driving force "f" — roughly, by a factor "D" "d". In this way, great strength is not needed to produce a force strong enough to bend steel, or crack the hardest stone. Effect of the head's mass. The amount of energy delivered to the target by the hammer-blow is equivalent to one half the mass of the head times the square of the head's speed at the time of impact ([Formula 1]). While the energy delivered to the target increases linearly with mass, it increases geometrically with the speed (see the effect of the handle, below). High tech titanium heads are lighter and allow for longer handles, thus increasing velocity and delivering more energy with less arm fatigue than that of a steel head hammer of the same weight. As hammers must be used in many circumstances, where the position of the person using them cannot be taken for granted, trade-offs are made for the sake of practicality. In areas where one has plenty of room, a long handle with a heavy head (like a sledge hammer) can deliver the maximum amount of energy to the target. But clearly, it's unreasonable to use a sledge hammer to drive upholstery tacks. Thus, the overall design has been modified repeatedly to achieve the optimum utility in a wide variety of situations. Effect of the handle. The handle of the hammer helps in several ways. It keeps the user's hands away from the point of impact. It provides a broad area that is better-suited for gripping by the hand. Most importantly, it allows the user to maximize the speed of the head on each blow. The primary constraint on additional handle length is the lack of space in which to swing the hammer. This is why sledge hammers, largely used in open spaces, can have handles that are much longer than a standard carpenter's hammer. The second most important constraint is more subtle. Even without considering the effects of fatigue, the longer the handle, the harder it is to guide the head of the hammer to its target at full speed. Most designs are a compromise between practicality and energy efficiency. Too long a handle: the hammer is inefficient because it delivers force to the wrong place, off-target. Too short a handle: the hammer is inefficient because it doesn't deliver enough force, requiring more blows to complete a given task. Recently, modifications have also been made with respect to the effect of the hammer on the user. A titanium head has about 3% recoil and can result in greater efficiency and less fatigue when compared to a steel head with about 27% recoil. Handles made of shock-absorbing materials or varying angles attempt to make it easier for the user to continue to wield this age-old device, even as nail guns and other powered drivers encroach on its traditional field of use. War hammers. The concept of putting a handle on a weight to make it more convenient to use may well have led to the very first weapons ever invented. The club is basically a variant of a hammer. In the Middle Ages, the war hammer became popular when edged weapons could no longer easily penetrate some forms of armour. Symbolic hammers. The hammer, being one of the most used tools by "Homo sapiens", has been used very much in symbols and arms. In the Middle Ages it was used often in blacksmith guild logos, as well as in many family symbols. The most recognised symbol with a hammer in it is the Hammer and Sickle, which was the symbol of the former Soviet Union. The hammer in this symbol represents the industrial working class (and the sickle the agricultural working class). The hammer is used in some coat of arms in (former) socialist countries like East Germany. In Norse Mythology, Thor, the god of thunder and lightning, wields a hammer named Mjolnir. Many artifacts of decorative hammers have been found leading many modern practitioners of this religion to often wear reproductions as a sign of their faith.