ratio of word probabilities predicted from brain for igloo and skirt

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igloo

skirt

top 10 words in brain distribution (in article):
light lamp build house type home common allow heat contain
top 10 words in brain distribution (in article):
wear form body century culture time type produce light woman
top 10 words in brain distribution (not in article):
drink city wine water beer produce bottle state fuel store
top 10 words in brain distribution (not in article):
tea cell tooth horse pearl shoe kite foot design common
times more probable under igloo 30 20 10 6 4 2.5 1.25 1 1.25 2.5 4 6 10 20 30 times more probable under skirt
(words not in the model)
An igloo'" (Inuit language: "iglu", Inuktitut syllabics: ᐃᒡᓗ, "house", plural: "iglooit" or "igluit", but in English commonly "igloos"), translated sometimes as snowhouse'", is the Inuit word for house or habitation, and is not restricted exclusively to snowhouses but includes traditional tents, sod houses, homes constructed of driftwood and modern buildings. Igloo as a snowhouse. When referring to a snowhouse, igloos are shelters constructed from blocks of snow, generally in the form of a dome. Although igloos are usually associated with all Inuit, they were predominantly constructed by people of Canada's Central Arctic and Greenland's Thule area. Other Inuit people tended to use snow to insulate their houses which consisted of whalebone and hides. Snow was used because the air pockets trapped in it make it an insulator. On the outside, temperatures may be as low as, but on the inside the temperature may range from to when warmed by body heat alone. Traditional types. There were three traditional types of igloos, all of different sizes and all used for different purposes. The smallest was constructed as a temporary shelter, usually only used for one or two nights. These were built and used during hunting trips, often on open sea ice. Next in size was the semi-permanent, intermediate-sized family dwelling. This was usually a single room dwelling that housed one or two families. Often there were several of these in a small area, which formed an "Inuit village". The largest of the igloos was normally built in groups of two. One of the buildings was a temporary structure built for special occasions, the other built nearby for living. These might have had up to five rooms and housed up to 20 people. A large igloo might have been constructed from several smaller igloos attached by their tunnels, giving common access to the outside. These were used to hold community feasts and traditional dances. Modifications. The Central Inuit, especially those around the Davis Strait, lined the living area with skin, which could increase the temperature within from around 2 °C (36 °F) to 10-20 °C (50-68 °F). Construction. The snow used to build an igloo must have sufficient structural strength to be cut and stacked in the appropriate manner. The best snow to use for this purpose is snow which has been blown by wind, which can serve to compact and interlock the ice crystals. The hole left in the snow where the blocks are cut from is usually used as the lower half of the shelter. Sometimes, a short tunnel is constructed at the entrance to reduce wind and heat loss when the door is opened. Due to snow's excellent insulating properties, inhabited igloos are surprisingly comfortable and warm inside. In some cases a single block of ice is inserted to allow light into the igloo. Architecturally, the igloo is unique in that it is a dome that can be raised out of independent blocks leaning on each other and polished to fit without an additional supporting structure during construction. The igloo, if correctly built, will support the weight of a person standing on the roof. Also, in the traditional Inuit igloo the heat from the kulliq (stone lamp) causes the interior to melt slightly. This melting and refreezing builds up an ice sheet and contributes to the strength of the igloo. The sleeping platform is a raised area compared to where one enters the igloo. Because warmer air rises and cooler air settles, the entrance area will act as a cold trap whereas the sleeping area will hold whatever heat is generated by a stove, lamp or body heat. In popular use. In heraldry, the igloo appears as the crest in the coat of arms of Nunavut. "Nanook of the North". The 1922 documentary "Nanook of the North" contains the oldest surviving movie footage of an Inuit constructing an igloo. In the film, Nanook (real name Allakariallak) builds a large family igloo as well as a smaller igloo for sled pups. Nanook demonstrates the use of an ivory knife to cut and trim snow block, as well as the use of clear ice for a window. His igloo was built in A skirt'" is a tube- or cone-shaped garment that hangs from the waist and covers all or part of the legs. In European culture, skirts are usually considered women's clothing. However, there are exceptions. The kilt is a traditional men's garment in Scotland, and some fashion designers, such as Jean-Paul Gaultier, have shown men's skirts. At its simplest, a skirt can be a draped garment made out of a single piece of material (such as pareos), but most skirts are fitted to the body at the waist and fuller below, with the fullness introduced by means of dart, gores, pleats, or panels. Modern skirts are usually made of light to mid-weight fabrics, such as denim, jersey, worsted, or poplin. Skirts of thin or clingy fabrics are often worn with slips to make the material of the skirt drape better and for modesty. The hemline of skirts can be as high as the upper thigh or as low as the ground, depending on the whims of fashion and the modesty or personal taste of the wearer. Some medieval upper-class women wore skirts over 3 metres in diameter at the bottom. At the other extreme, the miniskirts of the 1960s were minimal garments that may have barely covered the underwear when seated. Costume historians typically use the word "petticoat" to describe skirt-like garments of the 18th century or earlier. History. Skirts have been worn by men and women from many cultures, such as the lungi, kanga and sarong worn in South Asia and Southeast Asia, and the kilt worn in Scotland. The earliest known culture to have females wear miniskirts were the Duan Qun Miao, which literally meant "short skirt Miao" in Chinese. This was in reference to the short miniskirts "that barely cover the buttocks" worn by women of the tribe, and which were "probably shocking" to Han Chinese observers in medieval and early modern times. Skirts in the 19th century. During the nineteenth century the cut of women's dresses in western culture varied more widely than in any other century. Waistlines started just below the bust (the Empire silhouette) and gradually sank to the natural waist. Skirts started fairly narrow and increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s; then fullness was draped and drawn to the back by means of bustles. Skirts in the 20th and 21st centuries. Beginning around 1915, hemlines for daytime dresses left the floor for good. For the next fifty years fashionable skirts became short (1920s). then long (1930s), then shorter (the War Years with their restrictions on fabric), then long (the New Look), then shortest of all during the 1960s, when skirts became as short as possible while avoiding exposure of underwear, which was considered taboo. Since the 1970s and the rise of pants for women as an option for all but the most formal of occasions, no one skirt length has dominated fashion for long, with short and ankle-length styles often appearing side-by-side in fashion magazines and catalogs. Male wear. There are a number of male garments which fall under the catergory of "skirt" or "dress." These go by a variety of names and form part of the traditional dress for men from various cultures. Usage varies- the dhoti is part of everyday dress on the Indian subcontinent while the kilt is more usually restricted to occasional wear and the foustanella is used almost exclusively as costume. Robes, which are a type of dress for men, have existed in many cultures, including the Japanese kimono, the Chinese cheongsam, the Arabic thobe, and the African Senegalese kaftan. Robes are also used in some religious orders, such as the cassock in Christianity and various robes and cloaks that may be used in pagan rituals. Examples of men's skirts and skirt like garments from various cultures include: In the Western world skirts, dresses and similar garments are considered primarily women's clothing today although historically that was not the case. The wearing of skirts by men in these areas is generally seen as cross-dressing although some fashion designers such as Jean-Paul Gaultier have produced skirts for men and kilts are widely accepted in some situations.