ratio of word probabilities predicted from brain for coat and skirt

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coat

skirt

top 10 words in brain distribution (in article):
wear century type term world refer begin word modern design top 10 words in brain distribution (in article):
wear century form woman culture body time type clothe style

top 10 words in brain distribution (not in article):
cell species city state body form build time head house top 10 words in brain distribution (not in article):
horse tea tooth pearl shoe cell kite design foot common

times more probable under coat 30 20 10 6 4 2.5 1.25 1 1.25 2.5 4 6 10 20 30 times more probable under skirt
(words not in the model)

A coat'" is a long garment worn by both men and women, for warmth, protection or fashion. Coats typically have long sleeves and open down the front, closing by means of buttons, zippers, hook-and-loop fasteners, toggles, a belt, or a combination of these. Other possible ornaments include collars and shoulder straps. History of the word 'coat'. The Persians, based in what is now Iran, introduced two garments to the history of clothing: trousers and seamed fitted coats. "Coat" is one of the earliest clothing category words in English, attested as far back as the early Middle Ages. ("See also" Clothing terminology.) An early use of "coat" in English is coat of mail (chainmail), a tunic-like garment of metal rings, usually knee- or mid-calf length. The medieval and renaissance coat (generally spelled "cote" by costume historians) is a midlength, sleeved men's outer garment, fitted to the waist and buttoned up the front, with a full skirt: in its essentials, not unlike the modern coat. By the eighteenth century, overcoats had begun to supplant capes and cloaks as outer wear, and by the mid-twentieth century the terms "jacket" and "coat" became confused for recent styles; the difference in use is still maintained for older garments. Coats, Jackets and Overcoats. In the early nineteenth century, coats were divided into under-coats and overcoats. The term under-coat is now archaic but denoted the fact that the expression "coat" could be both the outermost layer for outdoor wear (overcoat) or the coat worn under that (under-coat). However, the term "coat" is increasingly beginning to denote just the overcoat rather than the under-coat. The older usage of the word "coat" can still be found in the expression "to wear a coat and tie", which does not mean that wearer has on an overcoat. Nor do the terms "tailcoat" or "morning coat" denote types of overcoat. Indeed, an overcoat may be worn over the top of a tailcoat. In tailoring circles, the tailor who makes all types of coats is called a "coat maker". Similarly, in both British and American English, the term "sports coat" is used to denote a type of jacket not worn as outerwear (overcoat). The term "jacket" is a traditional term usually used to refer to a specific type of short under-coat. Typical modern jackets extend only to the upper thigh in length, whereas older coats such as tailcoats are usually of knee length. The modern jacket worn with a suit is traditionally called a "lounge coat" (or a "lounge jacket") in British English and a "sack coat" in American English. The American English term is rarely used today. Traditionally, all men dressed in a "coat and tie", although this has become gradually less widespread since around the 1960s. Because the basic pattern for the stroller (black jacket worn with striped trousers in British English) and dinner jacket (tuxedo in American English) are the same as lounge coats, tailors traditionally call both of these special types of jackets a "coat". An overcoat is a long coat (at least mid-calf) designed to be worn as the outermost garment worn as outdoor wear; while this use is still maintained in some places, particularly in Britain, elsewhere the term "coat" is commonly used mainly denote only the overcoat, and not the under-coat. A "topcoat" is a slightly shorter overcoat, if any distinction is to be made. Overcoats worn over the top of knee length coats (under-coats) such as frock coats, dress coats, and morning coats are cut to be a little longer than the under-coat so as to completely cover it, as well as being large enough to accommodate the coat underneath. Coats of the 18th and 19th centuries. Some of these styles are still worn. Note that for this period, only coats of the under-coat variety are listed, and overcoats are excluded. Modern coats. The terms "coat" and "jacket" are used variously around the world, and we treat modern clothes as jackets. References. General: Picken, Mary Brooks: "The Fashion Dictionary", Funk and Wagnalls, 1957. (1973 edition ISBN 0-308-10052-2) A skirt'" is a tube- or cone-shaped garment that hangs from the waist and covers all or part of the legs. In European culture, skirts are usually considered women's clothing. However, there are exceptions. The kilt is a traditional men's garment in Scotland, and some fashion designers, such as Jean-Paul Gaultier, have shown men's skirts. At its simplest, a skirt can be a draped garment made out of a single piece of material (such as pareos), but most skirts are fitted to the body at the waist and fuller below, with the fullness introduced by means of dart, gores, pleats, or panels. Modern skirts are usually made of light to mid-weight fabrics, such as denim, jersey, worsted, or poplin. Skirts of thin or clingy fabrics are often worn with slips to make the material of the skirt drape better and for modesty. The hemline of skirts can be as high as the upper thigh or as low as the ground, depending on the whims of fashion and the modesty or personal taste of the wearer. Some medieval upper-class women wore skirts over 3 metres in diameter at the bottom. At the other extreme, the miniskirts of the 1960s were minimal garments that may have barely covered the underwear when seated. Costume historians typically use the word "petticoat" to describe skirt-like garments of the 18th century or earlier. History. Skirts have been worn by men and women from many cultures, such as the lungi, kanga and sarong worn in South Asia and Southeast Asia, and the kilt worn in Scotland. The earliest known culture to have females wear miniskirts were the Duan Qun Miao, which literally meant "short skirt Miao" in Chinese. This was in reference to the short miniskirts "that barely cover the buttocks" worn by women of the tribe, and which were "probably shocking" to Han Chinese observers in medieval and early modern times. Skirts in the 19th century. During the nineteenth century the cut of women's dresses in western culture varied more widely than in any other century. Waistlines started just below the bust (the Empire silhouette) and gradually sank to the natural waist. Skirts started fairly narrow and increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s; then fullness was draped and drawn to the back by means of bustles. Skirts in the 20th and 21st centuries. Beginning around 1915, hemlines for daytime dresses left the floor for good. For the next fifty years fashionable skirts became short (1920s). then long (1930s), then shorter (the War Years with their restrictions on fabric), then long (the New Look), then shortest of all during the 1960s, when skirts became as short as possible while avoiding exposure of underwear, which was considered taboo. Since the 1970s and the rise of pants for women as an option for all but the most formal of occasions, no one skirt length has dominated fashion for long, with short and ankle-length styles often appearing side-by-side in fashion magazines and catalogs. Male wear. There are a number of male garments which fall under the catergory of "skirt" or "dress." These go by a variety of names and form part of the traditional dress for men from various cultures. Usage varies- the dhoti is part of everyday dress on the Indian subcontinent while the kilt is more usually restricted to occasional wear and the foustanella is used almost exclusively as costume. Robes, which are a type of dress for men, have existed in many cultures, including the Japanese kimono, the Chinese cheongsam, the Arabic thobe, and the African Senegalese kaftan. Robes are also used in some religious orders, such as the cassock in Christianity and various robes and cloaks that may be used in pagan rituals. Examples of men's skirts and skirt like garments from various cultures include: In the Western world skirts, dresses and similar garments are considered primarily women's clothing today although historically that was not the case. The wearing of skirts by men in these areas is generally seen as cross-dressing although some fashion designers such as Jean-Paul Gaultier have produced skirts for men and kilts are widely accepted in some situations.

coat	skirt
top 10 words in brain distribution (in article): wear century type term world refer begin word modern design	top 10 words in brain distribution (in article): wear century form woman culture body time type clothe style
top 10 words in brain distribution (not in article): cell species city state body form build time head house	top 10 words in brain distribution (not in article): horse tea tooth pearl shoe cell kite design foot common
times more probable under coat 30 20 10 6 4 2.5 1.25 1 1.25 2.5 4 6 10 20 30 times more probable under skirt (words not in the model)
A coat'" is a long garment worn by both men and women, for warmth, protection or fashion. Coats typically have long sleeves and open down the front, closing by means of buttons, zippers, hook-and-loop fasteners, toggles, a belt, or a combination of these. Other possible ornaments include collars and shoulder straps. History of the word 'coat'. The Persians, based in what is now Iran, introduced two garments to the history of clothing: trousers and seamed fitted coats. "Coat" is one of the earliest clothing category words in English, attested as far back as the early Middle Ages. ("See also" Clothing terminology.) An early use of "coat" in English is coat of mail (chainmail), a tunic-like garment of metal rings, usually knee- or mid-calf length. The medieval and renaissance coat (generally spelled "cote" by costume historians) is a midlength, sleeved men's outer garment, fitted to the waist and buttoned up the front, with a full skirt: in its essentials, not unlike the modern coat. By the eighteenth century, overcoats had begun to supplant capes and cloaks as outer wear, and by the mid-twentieth century the terms "jacket" and "coat" became confused for recent styles; the difference in use is still maintained for older garments. Coats, Jackets and Overcoats. In the early nineteenth century, coats were divided into under-coats and overcoats. The term under-coat is now archaic but denoted the fact that the expression "coat" could be both the outermost layer for outdoor wear (overcoat) or the coat worn under that (under-coat). However, the term "coat" is increasingly beginning to denote just the overcoat rather than the under-coat. The older usage of the word "coat" can still be found in the expression "to wear a coat and tie", which does not mean that wearer has on an overcoat. Nor do the terms "tailcoat" or "morning coat" denote types of overcoat. Indeed, an overcoat may be worn over the top of a tailcoat. In tailoring circles, the tailor who makes all types of coats is called a "coat maker". Similarly, in both British and American English, the term "sports coat" is used to denote a type of jacket not worn as outerwear (overcoat). The term "jacket" is a traditional term usually used to refer to a specific type of short under-coat. Typical modern jackets extend only to the upper thigh in length, whereas older coats such as tailcoats are usually of knee length. The modern jacket worn with a suit is traditionally called a "lounge coat" (or a "lounge jacket") in British English and a "sack coat" in American English. The American English term is rarely used today. Traditionally, all men dressed in a "coat and tie", although this has become gradually less widespread since around the 1960s. Because the basic pattern for the stroller (black jacket worn with striped trousers in British English) and dinner jacket (tuxedo in American English) are the same as lounge coats, tailors traditionally call both of these special types of jackets a "coat". An overcoat is a long coat (at least mid-calf) designed to be worn as the outermost garment worn as outdoor wear; while this use is still maintained in some places, particularly in Britain, elsewhere the term "coat" is commonly used mainly denote only the overcoat, and not the under-coat. A "topcoat" is a slightly shorter overcoat, if any distinction is to be made. Overcoats worn over the top of knee length coats (under-coats) such as frock coats, dress coats, and morning coats are cut to be a little longer than the under-coat so as to completely cover it, as well as being large enough to accommodate the coat underneath. Coats of the 18th and 19th centuries. Some of these styles are still worn. Note that for this period, only coats of the under-coat variety are listed, and overcoats are excluded. Modern coats. The terms "coat" and "jacket" are used variously around the world, and we treat modern clothes as jackets. References. General: Picken, Mary Brooks: "The Fashion Dictionary", Funk and Wagnalls, 1957. (1973 edition ISBN 0-308-10052-2)	A skirt'" is a tube- or cone-shaped garment that hangs from the waist and covers all or part of the legs. In European culture, skirts are usually considered women's clothing. However, there are exceptions. The kilt is a traditional men's garment in Scotland, and some fashion designers, such as Jean-Paul Gaultier, have shown men's skirts. At its simplest, a skirt can be a draped garment made out of a single piece of material (such as pareos), but most skirts are fitted to the body at the waist and fuller below, with the fullness introduced by means of dart, gores, pleats, or panels. Modern skirts are usually made of light to mid-weight fabrics, such as denim, jersey, worsted, or poplin. Skirts of thin or clingy fabrics are often worn with slips to make the material of the skirt drape better and for modesty. The hemline of skirts can be as high as the upper thigh or as low as the ground, depending on the whims of fashion and the modesty or personal taste of the wearer. Some medieval upper-class women wore skirts over 3 metres in diameter at the bottom. At the other extreme, the miniskirts of the 1960s were minimal garments that may have barely covered the underwear when seated. Costume historians typically use the word "petticoat" to describe skirt-like garments of the 18th century or earlier. History. Skirts have been worn by men and women from many cultures, such as the lungi, kanga and sarong worn in South Asia and Southeast Asia, and the kilt worn in Scotland. The earliest known culture to have females wear miniskirts were the Duan Qun Miao, which literally meant "short skirt Miao" in Chinese. This was in reference to the short miniskirts "that barely cover the buttocks" worn by women of the tribe, and which were "probably shocking" to Han Chinese observers in medieval and early modern times. Skirts in the 19th century. During the nineteenth century the cut of women's dresses in western culture varied more widely than in any other century. Waistlines started just below the bust (the Empire silhouette) and gradually sank to the natural waist. Skirts started fairly narrow and increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s; then fullness was draped and drawn to the back by means of bustles. Skirts in the 20th and 21st centuries. Beginning around 1915, hemlines for daytime dresses left the floor for good. For the next fifty years fashionable skirts became short (1920s). then long (1930s), then shorter (the War Years with their restrictions on fabric), then long (the New Look), then shortest of all during the 1960s, when skirts became as short as possible while avoiding exposure of underwear, which was considered taboo. Since the 1970s and the rise of pants for women as an option for all but the most formal of occasions, no one skirt length has dominated fashion for long, with short and ankle-length styles often appearing side-by-side in fashion magazines and catalogs. Male wear. There are a number of male garments which fall under the catergory of "skirt" or "dress." These go by a variety of names and form part of the traditional dress for men from various cultures. Usage varies- the dhoti is part of everyday dress on the Indian subcontinent while the kilt is more usually restricted to occasional wear and the foustanella is used almost exclusively as costume. Robes, which are a type of dress for men, have existed in many cultures, including the Japanese kimono, the Chinese cheongsam, the Arabic thobe, and the African Senegalese kaftan. Robes are also used in some religious orders, such as the cassock in Christianity and various robes and cloaks that may be used in pagan rituals. Examples of men's skirts and skirt like garments from various cultures include: In the Western world skirts, dresses and similar garments are considered primarily women's clothing today although historically that was not the case. The wearing of skirts by men in these areas is generally seen as cross-dressing although some fashion designers such as Jean-Paul Gaultier have produced skirts for men and kilts are widely accepted in some situations.