ratio of word probabilities predicted from brain for church and skirt

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church

skirt

top 10 words in brain distribution (in article):
city build house store town home bus service public building top 10 words in brain distribution (in article):
wear form body century culture light time type woman produce

top 10 words in brain distribution (not in article):
street state Unite road department village country people park bar top 10 words in brain distribution (not in article):
tea horse cell tooth pearl shoe kite foot design drink

times more probable under church 30 20 10 6 4 2.5 1.25 1 1.25 2.5 4 6 10 20 30 times more probable under skirt
(words not in the model)

Pisgah Baptist Church, a typical Protestant church in rural America. Førde Church, a typical Protestant church in Norway. Interior of church in Malancrav, Romania The First Baptist Church of Austell. Located in Austell, G.A., U.S.A. A church in France being fired at during the First World War A church building'" is a building or structure whose primary purpose is to facilitate the meeting of a church. Originally, Christians met in synagogues and in one another's homes. As Christianity grew and became more accepted by governments, rooms, and eventually entire buildings, were set aside for the explicit purpose of Christian worship. Traditional church buildings are often in the shape of a cross, and frequently have a tower or dome. More modern church buildings have a variety of architectural styles and layouts; many buildings that were designed for other purposes have now been converted for church use, and similarly many original church buildings have been put to other uses. Early development. The church of Saint Simon in Aleppo, Syria is considered to be one of the oldest surviving church buildings in the world. The first Christians were, like Jesus, Jews resident in Israel who worshiped on occasion in the Temple in Jerusalem and weekly in local synagogues. Temple worship was a ritual involving sacrifice, occasionally including the sacrifice of animals in atonement for sin, offered to Yahweh. The New Testament includes many references to Jesus visiting the Temple, the first time as an infant with his parents.The early history of the synagogue is obscure, but it seems to be an institution developed for public Jewish worship during the Babylonian captivity when the Jews did not have access to the Jerusalem Temple for ritual sacrifice. Instead, they developed a daily and weekly service of readings from the Torah or the prophets followed by commentary. This could be carried out in a house if the attendance was small enough, and in many towns of the Diaspora that was the case. In others, more elaborate architectural settings developed, sometimes by converting a house and sometimes by converting a previously public building. The minimum requirements seem to have been a meeting room with adequate seating, a case for the Torah scrolls, and a raised platform for the reader and preacher. Jesus himself participated in this sort of service as a reader and commentator (see Gospel of Luke 4: 16-24) and his followers probably remained worshipers in synagogues in some cities. However, following the destruction of the Temple in Jerusalem in 70, the new Christian movement and Judaism increasingly parted ways. The Church became overwhelmingly Gentile sometime in the 4th century. The Syrian city of Dura-Europos on the West bank of the Euphrates was an outpost town between the Roman and Parthian empires. During a siege by Parthian troops in A.D. 257 the buildings in the outermost blocks of the city grid were partially destroyed and filled with rubble to reinforce the city wall. Thus were preserved and securely dated the earliest decorated church and a synagogue decorated with extensive wall paintings. Both had been converted from earlier private buildings. The church at Dura Europos has a special room dedicated for baptisms with a large baptismal font. Churches in medieval Europe. During the 11th through 14th centuries, a wave of building of cathedrals and smaller parish churches occurred across Western Europe. In addition to being a place of worship, the cathedral or parish church was used by the community in other ways. It could serve as a meeting place for guilds or a hall for banquets. Mystery plays were sometimes performed in cathedrals, and cathedrals might also be used for fairs. The church could be used as a place to thresh and store grain. Architecture. A common architecture for churches is the shape of a cross (a long central rectangle, with side rectangles, and a rectangle in front for the altar space or sanctuary). These churches also often have a dome or other large vaulted space in the interior to represent or draw attention to the heavens. Other common shapes for churches include a circle, to represent eternity, or an octagon or similar star shape, to represent the A skirt'" is a tube- or cone-shaped garment that hangs from the waist and covers all or part of the legs. In European culture, skirts are usually considered women's clothing. However, there are exceptions. The kilt is a traditional men's garment in Scotland, and some fashion designers, such as Jean-Paul Gaultier, have shown men's skirts. At its simplest, a skirt can be a draped garment made out of a single piece of material (such as pareos), but most skirts are fitted to the body at the waist and fuller below, with the fullness introduced by means of dart, gores, pleats, or panels. Modern skirts are usually made of light to mid-weight fabrics, such as denim, jersey, worsted, or poplin. Skirts of thin or clingy fabrics are often worn with slips to make the material of the skirt drape better and for modesty. The hemline of skirts can be as high as the upper thigh or as low as the ground, depending on the whims of fashion and the modesty or personal taste of the wearer. Some medieval upper-class women wore skirts over 3 metres in diameter at the bottom. At the other extreme, the miniskirts of the 1960s were minimal garments that may have barely covered the underwear when seated. Costume historians typically use the word "petticoat" to describe skirt-like garments of the 18th century or earlier. History. Skirts have been worn by men and women from many cultures, such as the lungi, kanga and sarong worn in South Asia and Southeast Asia, and the kilt worn in Scotland. The earliest known culture to have females wear miniskirts were the Duan Qun Miao, which literally meant "short skirt Miao" in Chinese. This was in reference to the short miniskirts "that barely cover the buttocks" worn by women of the tribe, and which were "probably shocking" to Han Chinese observers in medieval and early modern times. Skirts in the 19th century. During the nineteenth century the cut of women's dresses in western culture varied more widely than in any other century. Waistlines started just below the bust (the Empire silhouette) and gradually sank to the natural waist. Skirts started fairly narrow and increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s; then fullness was draped and drawn to the back by means of bustles. Skirts in the 20th and 21st centuries. Beginning around 1915, hemlines for daytime dresses left the floor for good. For the next fifty years fashionable skirts became short (1920s). then long (1930s), then shorter (the War Years with their restrictions on fabric), then long (the New Look), then shortest of all during the 1960s, when skirts became as short as possible while avoiding exposure of underwear, which was considered taboo. Since the 1970s and the rise of pants for women as an option for all but the most formal of occasions, no one skirt length has dominated fashion for long, with short and ankle-length styles often appearing side-by-side in fashion magazines and catalogs. Male wear. There are a number of male garments which fall under the catergory of "skirt" or "dress." These go by a variety of names and form part of the traditional dress for men from various cultures. Usage varies- the dhoti is part of everyday dress on the Indian subcontinent while the kilt is more usually restricted to occasional wear and the foustanella is used almost exclusively as costume. Robes, which are a type of dress for men, have existed in many cultures, including the Japanese kimono, the Chinese cheongsam, the Arabic thobe, and the African Senegalese kaftan. Robes are also used in some religious orders, such as the cassock in Christianity and various robes and cloaks that may be used in pagan rituals. Examples of men's skirts and skirt like garments from various cultures include: In the Western world skirts, dresses and similar garments are considered primarily women's clothing today although historically that was not the case. The wearing of skirts by men in these areas is generally seen as cross-dressing although some fashion designers such as Jean-Paul Gaultier have produced skirts for men and kilts are widely accepted in some situations.

church	skirt
top 10 words in brain distribution (in article): city build house store town home bus service public building	top 10 words in brain distribution (in article): wear form body century culture light time type woman produce
top 10 words in brain distribution (not in article): street state Unite road department village country people park bar	top 10 words in brain distribution (not in article): tea horse cell tooth pearl shoe kite foot design drink
times more probable under church 30 20 10 6 4 2.5 1.25 1 1.25 2.5 4 6 10 20 30 times more probable under skirt (words not in the model)
Pisgah Baptist Church, a typical Protestant church in rural America. Førde Church, a typical Protestant church in Norway. Interior of church in Malancrav, Romania The First Baptist Church of Austell. Located in Austell, G.A., U.S.A. A church in France being fired at during the First World War A church building'" is a building or structure whose primary purpose is to facilitate the meeting of a church. Originally, Christians met in synagogues and in one another's homes. As Christianity grew and became more accepted by governments, rooms, and eventually entire buildings, were set aside for the explicit purpose of Christian worship. Traditional church buildings are often in the shape of a cross, and frequently have a tower or dome. More modern church buildings have a variety of architectural styles and layouts; many buildings that were designed for other purposes have now been converted for church use, and similarly many original church buildings have been put to other uses. Early development. The church of Saint Simon in Aleppo, Syria is considered to be one of the oldest surviving church buildings in the world. The first Christians were, like Jesus, Jews resident in Israel who worshiped on occasion in the Temple in Jerusalem and weekly in local synagogues. Temple worship was a ritual involving sacrifice, occasionally including the sacrifice of animals in atonement for sin, offered to Yahweh. The New Testament includes many references to Jesus visiting the Temple, the first time as an infant with his parents.The early history of the synagogue is obscure, but it seems to be an institution developed for public Jewish worship during the Babylonian captivity when the Jews did not have access to the Jerusalem Temple for ritual sacrifice. Instead, they developed a daily and weekly service of readings from the Torah or the prophets followed by commentary. This could be carried out in a house if the attendance was small enough, and in many towns of the Diaspora that was the case. In others, more elaborate architectural settings developed, sometimes by converting a house and sometimes by converting a previously public building. The minimum requirements seem to have been a meeting room with adequate seating, a case for the Torah scrolls, and a raised platform for the reader and preacher. Jesus himself participated in this sort of service as a reader and commentator (see Gospel of Luke 4: 16-24) and his followers probably remained worshipers in synagogues in some cities. However, following the destruction of the Temple in Jerusalem in 70, the new Christian movement and Judaism increasingly parted ways. The Church became overwhelmingly Gentile sometime in the 4th century. The Syrian city of Dura-Europos on the West bank of the Euphrates was an outpost town between the Roman and Parthian empires. During a siege by Parthian troops in A.D. 257 the buildings in the outermost blocks of the city grid were partially destroyed and filled with rubble to reinforce the city wall. Thus were preserved and securely dated the earliest decorated church and a synagogue decorated with extensive wall paintings. Both had been converted from earlier private buildings. The church at Dura Europos has a special room dedicated for baptisms with a large baptismal font. Churches in medieval Europe. During the 11th through 14th centuries, a wave of building of cathedrals and smaller parish churches occurred across Western Europe. In addition to being a place of worship, the cathedral or parish church was used by the community in other ways. It could serve as a meeting place for guilds or a hall for banquets. Mystery plays were sometimes performed in cathedrals, and cathedrals might also be used for fairs. The church could be used as a place to thresh and store grain. Architecture. A common architecture for churches is the shape of a cross (a long central rectangle, with side rectangles, and a rectangle in front for the altar space or sanctuary). These churches also often have a dome or other large vaulted space in the interior to represent or draw attention to the heavens. Other common shapes for churches include a circle, to represent eternity, or an octagon or similar star shape, to represent the	A skirt'" is a tube- or cone-shaped garment that hangs from the waist and covers all or part of the legs. In European culture, skirts are usually considered women's clothing. However, there are exceptions. The kilt is a traditional men's garment in Scotland, and some fashion designers, such as Jean-Paul Gaultier, have shown men's skirts. At its simplest, a skirt can be a draped garment made out of a single piece of material (such as pareos), but most skirts are fitted to the body at the waist and fuller below, with the fullness introduced by means of dart, gores, pleats, or panels. Modern skirts are usually made of light to mid-weight fabrics, such as denim, jersey, worsted, or poplin. Skirts of thin or clingy fabrics are often worn with slips to make the material of the skirt drape better and for modesty. The hemline of skirts can be as high as the upper thigh or as low as the ground, depending on the whims of fashion and the modesty or personal taste of the wearer. Some medieval upper-class women wore skirts over 3 metres in diameter at the bottom. At the other extreme, the miniskirts of the 1960s were minimal garments that may have barely covered the underwear when seated. Costume historians typically use the word "petticoat" to describe skirt-like garments of the 18th century or earlier. History. Skirts have been worn by men and women from many cultures, such as the lungi, kanga and sarong worn in South Asia and Southeast Asia, and the kilt worn in Scotland. The earliest known culture to have females wear miniskirts were the Duan Qun Miao, which literally meant "short skirt Miao" in Chinese. This was in reference to the short miniskirts "that barely cover the buttocks" worn by women of the tribe, and which were "probably shocking" to Han Chinese observers in medieval and early modern times. Skirts in the 19th century. During the nineteenth century the cut of women's dresses in western culture varied more widely than in any other century. Waistlines started just below the bust (the Empire silhouette) and gradually sank to the natural waist. Skirts started fairly narrow and increased dramatically to the hoopskirt and crinoline-supported styles of the 1860s; then fullness was draped and drawn to the back by means of bustles. Skirts in the 20th and 21st centuries. Beginning around 1915, hemlines for daytime dresses left the floor for good. For the next fifty years fashionable skirts became short (1920s). then long (1930s), then shorter (the War Years with their restrictions on fabric), then long (the New Look), then shortest of all during the 1960s, when skirts became as short as possible while avoiding exposure of underwear, which was considered taboo. Since the 1970s and the rise of pants for women as an option for all but the most formal of occasions, no one skirt length has dominated fashion for long, with short and ankle-length styles often appearing side-by-side in fashion magazines and catalogs. Male wear. There are a number of male garments which fall under the catergory of "skirt" or "dress." These go by a variety of names and form part of the traditional dress for men from various cultures. Usage varies- the dhoti is part of everyday dress on the Indian subcontinent while the kilt is more usually restricted to occasional wear and the foustanella is used almost exclusively as costume. Robes, which are a type of dress for men, have existed in many cultures, including the Japanese kimono, the Chinese cheongsam, the Arabic thobe, and the African Senegalese kaftan. Robes are also used in some religious orders, such as the cassock in Christianity and various robes and cloaks that may be used in pagan rituals. Examples of men's skirts and skirt like garments from various cultures include: In the Western world skirts, dresses and similar garments are considered primarily women's clothing today although historically that was not the case. The wearing of skirts by men in these areas is generally seen as cross-dressing although some fashion designers such as Jean-Paul Gaultier have produced skirts for men and kilts are widely accepted in some situations.