ratio of word probabilities predicted from brain for bell and hammer

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bell

hammer

top 10 words in brain distribution (in article):
signal frequency design sound wine produce tower time common type
top 10 words in brain distribution (in article):
design head size animal common allow form time hand shape
top 10 words in brain distribution (not in article):
power light water station animal train line locomotive drink radio
top 10 words in brain distribution (not in article):
key lock switch machine needle type tube bicycle knit wire
times more probable under bell 30 20 10 6 4 2.5 1.25 1 1.25 2.5 4 6 10 20 30 times more probable under hammer
(words not in the model)
A bell'" is a simple sound-making device. The bell is a percussion instrument and an idiophone. Its form is usually an open-ended hollow drum which resonates upon being struck. The striking implement can be a tongue suspended within the bell, known as a "clapper", a small, free sphere enclosed within the body of the bell, or a separate mallet. Bells are usually made of cast metal, but small bells can also be made from ceramic or glass. Bells can be of all sizes: from tiny dress accessories to church bells weighing many tons. Church and temple bells. In the Western world, its most classical form is a church bell or town bell, which is hung within a tower and sounded by having the entire bell swung by ropes, whereupon an internal hinged clapper strikes the body of the bell (called a free-swinging bell). A set of bells, hung in a circle for change ringing, is known as a ring of bells. In the Eastern world, the traditional forms of bells are temple and palace bells, small ones being rung by a sharp rap with a stick, and very large ones rung by a blow from the outside by a large swinging beam. The striking technique is employed worldwide for some of the largest tower-borne bells, because swinging the bells themselves could damage their towers. In the Roman Catholic Church and among some High Lutherans and Anglicans, small hand-held bells, called Sanctus or sacring bells, are often rung by a server at Mass when the priest holds high up first the host, and then the chalice immediately after he has said the words of consecration over them (the moment known as the Elevation). This serves to indicate to the congregation that the bread and wine have just been transformed into the body and blood of Christ (see transubstantiation), or, in the alternative Reformation teaching, that Christ is now bodily present in the elements, and that what the priest is holding up for them to look at is Christ himself (see consubstantiation). Japanese religious bells. Japanese Shintoist and Buddhist bells are used in religious ceremonies. "Suzu", a homophone meaning both "cool and refreshing," are spherical bells which contain metal pellets that produce sound from the inside. The hemispherical bell is the "Kane" bell, which is struck on the outside. See also Kane (musical instrument). Buddhist bells. Buddhist bells are used in religious ceremonies. Bell construed as a cause for war. On January 15, 1602 ("Keichō 7"), a fire broke out at Hōkō-ji, Buddhist temple complex in Kyoto. The great image of the Buddha and the structure housing the statue, the "Daibutsu-den", were both consumed by the flames. In 1610, Toyotomi Hideyori decided to sponsor rebuilding the Hōkō-ji and he also decided to order a great bell cast in bronze. On August 24, 1614 ("Keichō 19"), the huge new bronze bell was cast successfully. Dedication ceremonies were scheduled, but at the last minute, Tokugawa Ieyasu forbade the ceremonies to take place because he construed inscriptions on the bell to have been a personal affront: This contrived dispute led to the, which was a series of battles between armies of the Tokugawa shogunate and the samurai of the Toyotomi clan. The siege lasted through 1615. It is conventionally divided into two stages: the Winter Campaign and the Summer Campaign. In the end, the total destruction of the Toyotomi eliminated the last major opposition to the shogunate which would come to dominate Japan for the next 250 years. Bellmaking. The process of casting bells is called bellmaking or bellfounding, and in Europe dates to the 4th or 5th century. The traditional metal for these bells is a bronze of about 23% tin. Known as "bell metal", this alloy is also the traditional alloy for the finest Turkish and Chinese cymbals. Other materials sometimes used for large bells include brass and iron. Bells are always cast mouth down. Bells are made to exact formulas, so that given the diameter it is possible to calculate every dimension, and its musical note, or tone. The frequency of a bell's note in Hz varies with the square of its thickness, and inversely with its diameter. Much experimentation has been devoted to determining the exact shape that will give the best tone. The thickness of a church bell at its thickest part, called the 'sound bow' is usually one thirteenth its diameter. If the bell is mounted as cast, it is called a "maiden bell" while "tuned bells" are worked after casting to produce a precise note. Bell towers. Bells are also associated with clocks, indicating the hour by ringing. Indeed, the word "clock" comes from the Latin word "cloca", meaning bell. Clock towers or bell towers can be heard over long distances which was especially important in the time when clocks were too expensive for widespread use. In the case of clock towers and grandfather clocks, a particular sequence of tones may be played to represent the hour. One common pattern is called the "Westminster Quarters," a sixteen-note pattern named after the Palace of Westminster which popularized it as the measure used by "Big Ben". Bells as musical instruments. Some bells are used as musical instruments, such as carillons, (clock) chimes, or ensembles of bell-players, called bell choirs, using hand-held bells of varying tones. A "ring of bells" is a set of 4 to twelve bells or more used in change ringing, a particular method of ringing bells in patterns. A peal in changing ringing may have bells playing for several hours, playing 5,000 or more patterns without a break or repetition.. Ancient Chinese bells. The ancient Chinese bronze chime bells called bianzhong or (鐘) are among the highest achievements of Chinese bronze casting technology. These chime bells were used as polyphonic musical instruments and some of these bells have been dated at between 2000 to 3600 years old. The secret of the design and the method of casting zhong bells, which was known only to the Chinese in antiquity, was lost in later generations. It was not fully rediscovered and understood until 1978, when a complete ceremonial set of 65 "zhong" bells was found in a near-perfect state of preservation during the excavation of the of Marquis Yi, who died ca. 430BCE. Yi was ruler of Zeng, one of the Warring States which at the time of his death was under control of the Chǔ state. This region is now part of the present-day Hubei province. Although tuned bells have been created and used for musical performance in many cultures, zhong are unique among all other types of cast bells in several respects. They have a lens-shaped (rather than circular) section and the bell mouth has a distinctive "cutaway" profile, and this special shape gives zhong bells the remarkable ability to produce, depending on where they are struck. The interval between these notes on each bell is either a major or minor third, equivalent to a distance of four or five notes on a piano.. The bells A hammer'" is a tool meant to deliver an impact to an object. The most common uses are for driving nails, fitting parts, and breaking up objects. Hammers are often designed for a specific purpose, and vary widely in their shape and structure. Usual features are a handle and a head, with most of the weight in the head. The basic design is hand-operated, but there are also many mechanically operated models for heavier uses. The hammer is a basic tool of many professions, and can also be used as a weapon. By analogy, the name "'hammer'" has also been used for devices that are designed to deliver blows, e.g. in the caplock mechanism of firearms. History. The use of simple tools dates to about 2,400,000 BCE when various shaped stones were used to strike wood, bone, or other stones to break them apart and shape them. Stones attached to sticks with strips of leather or animal sinew were being used as hammers by about 30,000 BCE during the middle of the Paleolithic Stone Age. Its archeological record means it is perhaps the oldest human tool known. Designs and variations. The essential part of a hammer is the head, a compact solid mass that is able to deliver the blow to the intended target without itself deforming. The opposite side of a ball as in the ball-peen hammer and the cow hammer. Some upholstery hammers have a magnetized appendage, to pick up tacks. In the hatchet the hammer head is secondary to the cutting edge of the tool. In recent years the handles have been made of durable plastic or rubber. The hammer varies at the top, some are larger than others giving a larger surface area to hit different sized nails and such, Mechanically-powered hammers often look quite different from the hand tools, but nevertheless most of them work on the same principle. They include: In professional framing carpentry, the hammer has almost been completely replaced by the nail gun. In professional upholstery, its chief competitor is the staple gun. Hammer as a force amplifier. A hammer is basically a force amplifier that works by converting mechanical work into kinetic energy and back. In the swing that precedes each blow, a certain amount of kinetic energy gets stored in the hammer's head, equal to the length "D" of the swing times the force "f" produced by the muscles of the arm and by gravity. When the hammer strikes, the head gets stopped by an opposite force coming from the target; which is equal and opposite to the force applied by the head to the target. If the target is a hard and heavy object, or if it is resting on some sort of anvil, the head can travel only a very short distance "d" before stopping. Since the stopping force "F" times that distance must be equal to the head's kinetic energy, it follows that "F" will be much greater than the original driving force "f" roughly, by a factor "D" "d". In this way, great strength is not needed to produce a force strong enough to bend steel, or crack the hardest stone. Effect of the head's mass. The amount of energy delivered to the target by the hammer-blow is equivalent to one half the mass of the head times the square of the head's speed at the time of impact ([Formula 1]). While the energy delivered to the target increases linearly with mass, it increases geometrically with the speed (see the effect of the handle, below). High tech titanium heads are lighter and allow for longer handles, thus increasing velocity and delivering more energy with less arm fatigue than that of a steel head hammer of the same weight. As hammers must be used in many circumstances, where the position of the person using them cannot be taken for granted, trade-offs are made for the sake of practicality. In areas where one has plenty of room, a long handle with a heavy head (like a sledge hammer) can deliver the maximum amount of energy to the target. But clearly, it's unreasonable to use a sledge hammer to drive upholstery tacks. Thus, the overall design has been modified repeatedly to achieve the optimum utility in a wide variety of situations. Effect of the handle. The handle of the hammer helps in several ways. It keeps the user's hands away from the point of impact. It provides a broad area that is better-suited for gripping by the hand. Most importantly, it allows the user to maximize the speed of the head on each blow. The primary constraint on additional handle length is the lack of space in which to swing the hammer. This is why sledge hammers, largely used in open spaces, can have handles that are much longer than a standard carpenter's hammer. The second most important constraint is more subtle. Even without considering the effects of fatigue, the longer the handle, the harder it is to guide the head of the hammer to its target at full speed. Most designs are a compromise between practicality and energy efficiency. Too long a handle: the hammer is inefficient because it delivers force to the wrong place, off-target. Too short a handle: the hammer is inefficient because it doesn't deliver enough force, requiring more blows to complete a given task. Recently, modifications have also been made with respect to the effect of the hammer on the user. A titanium head has about 3% recoil and can result in greater efficiency and less fatigue when compared to a steel head with about 27% recoil. Handles made of shock-absorbing materials or varying angles attempt to make it easier for the user to continue to wield this age-old device, even as nail guns and other powered drivers encroach on its traditional field of use. War hammers. The concept of putting a handle on a weight to make it more convenient to use may well have led to the very first weapons ever invented. The club is basically a variant of a hammer. In the Middle Ages, the war hammer became popular when edged weapons could no longer easily penetrate some forms of armour. Symbolic hammers. The hammer, being one of the most used tools by "Homo sapiens", has been used very much in symbols and arms. In the Middle Ages it was used often in blacksmith guild logos, as well as in many family symbols. The most recognised symbol with a hammer in it is the Hammer and Sickle, which was the symbol of the former Soviet Union. The hammer in this symbol represents the industrial working class (and the sickle the agricultural working class). The hammer is used in some coat of arms in (former) socialist countries like East Germany. In Norse Mythology, Thor, the god of thunder and lightning, wields a hammer named Mjolnir. Many artifacts of decorative hammers have been found leading many modern practitioners of this religion to often wear reproductions as a sign of their faith.