ratio of word probabilities predicted from brain for pants and bell

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pants

bell

top 10 words in brain distribution (in article):
wear woman century type clothe term time allow dress fashion top 10 words in brain distribution (in article):
produce wine contain state world common time type process century

top 10 words in brain distribution (not in article):
light horse drink lamp wine beer water bottle produce design top 10 words in brain distribution (not in article):
plant light drink fruit lamp water seed beer grow sugar

times more probable under pants 30 20 10 6 4 2.5 1.25 1 1.25 2.5 4 6 10 20 30 times more probable under bell
(words not in the model)

Trousers'" are an item of clothing worn on the lower part of the body from the waist to the ankles, covering both legs separately (rather than with cloth stretching across both as in skirts and dresses). Such items of clothing are often referred to as "'pants'" in countries such as Canada, South Africa and The United States. Additional synonyms include "'slacks'", "'kegs'" or "'kex'", "'breeches'" (sometimes) or "'breeks'". Historically, as for the West, trousers have been the standard lower-body clothing item for males since the 16th century; by the late 20th century, they had become prevalent for females as well. Trousers are worn at the hips or waist, and may be held up by their own fastenings, a belt, or suspenders (braces). Leggings are form-fitting trousers of a clingy material, often knitted cotton and lycra. Terminology. In North America, "pants" is the general category term, and "trousers" refers, often more formally, specifically to tailored garments with a waistband and (typically) belt-loops and a fly-front. For instance, informal elastic-waist knitted garments would never be called "trousers" in the U.S. Undergarments are called "underwear", "underpants", or "panties" (the last are women's garments specifically) to distinguish them from other pants that are worn on the outside. The term "drawers" normally refers to undergarments, but in some dialects, may be found as a synonym for "breeches", that is, trousers. In these dialects, the term "underdrawers" is used for undergarments. In Australia the terms "pants" and "trousers" are synonymous. In most parts of the United Kingdom, "trousers" is the general category term, and "pants" refers to underwear. In some parts of Scotland, trousers are known as "trews"; taken from the early Middle English "trouse", its plural developed into "trousers". Various people in the contemporary fashion industry use the word "pant" instead of "pants". This is grammatically incorrect. The word pants is a "plurale tantum", always in plural form much like the words scissors and tongs. The origin of pants is due to the use of two pieces of cloth in making it. Pant would actually mean just a single leg being covered with clothing. History. Nomadic Eurasian horsemen such as the Iranian Scythians, along with Achaemenid Persians, were among the first to wear trousers. In ancient China, trousers were only worn by soldiers. The first european appearance of trousers was in Hungary in the IX century. Men's clothes in Hungary in the 15th century consisted of a shirt and trousers as underwear, and a dolman worn over them, as well as a short fur-lined or sheepskin coat. At special occasions people wore gowns made of expensive materials, and these preferred by Pipo of Ozora too. Hungarian people had unique hair styles and wore high (fur) caps. Their trousers were simple in general, only their colour being unusual, but the dolman covered the greater part of the trousers. Trousers were introduced into Western European culture at several points in history, but gained their current predominance only in the 16th century, from a Commedia dell'Arte character named "Pantalone" (Italian word for Trousers). In England in the Twelfth century, the rustic were often seen in long garments to the ankle, rather like trousers, which are really glorified braies. Strangely enough, trouserlike garments, which became rare again in the thirteenth century, vanished during the fourteenth century and scarcely reappeared for six hundred years. The word itself is of Gaelic or Scots Gaelic origin, from the Middle Irish word "triubhas" (close-fitting shorts), however it is important to note that trews of the Early Industrial Period were in not trousers. Men's trousers. Trousers trace their ancestry to the individual hose worn by men in the 15th century (which is why trousers are plural and not singular). The hose were easy to make and fastened to a doublet at the top with ties called "points". It is important that at this point in time, these were not trousers, but trews, as can be seen in the 1746 painting by David Morier.. As time went by, the two hose were joined, first in the back then across the front, but still leaving a large opening for sanitary functions. Originally, doublets came almost to the knees, effectively covering the private parts, but as fashions changed and doublets became shorter, it became necessary for men to cover their genitals with a codpiece. By the end of the 16th century, the codpiece had been incorporated into the hose, now usually called breeches, which were roughly knee-length and featured a "fly" or "fall front" opening. During the French Revolution, the male citizens of France adopted a working-class costume including ankle-length trousers or pantaloons in place of the aristocratic knee-breeches. This style was introduced to England in the early 19th century, possibly by Beau Brummell, and supplanted breeches as fashionable street wear by mid-century. Breeches survived into the 1940s as the plus-fours or knickers worn for active sports and by young school-boys. Types of breeches are still worn today by baseball and American football players. Sailors may have played a role in the dissemination of trousers as a fashion around the world. In the 17th and 18th centuries, sailors wore baggy trousers known as "galligaskins". Sailors were also the first to wear jeans, trousers made of denim. These became more popular in the late 19th century in the American West, because of their ruggedness and durability. Women's trousers. Although trousers for women in western countries did not become fashion items until the later 20th century, women began wearing men's trousers (suitably altered) for outdoor work a hundred years earlier. Starting around the mid 19th Century, Wigan "pit brow girls" scandalized Victorian society by wearing trousers for their work at the local coal mines. They wore skirts over their trousers and rolled them up to their waist to keep them out of the way. Although "pit brow lassies" worked above-ground at the pit-head, the task of sorting and shovelling coal was hard manual labour, so wearing the usual long skirts of the time would have greatly hindered their movements. Women working the ranches of the 19th century American West also wore trousers for riding, and in the early 20th century aviatrices and other working women often wore trousers. Actresses Marlene Dietrich and Katharine Hepburn were often photographed in trousers from the 1930s and helped make trousers acceptable for women. During World War II, women working in factories and doing other forms of "men's work" on war service wore trousers when the work demanded it, and in the post-war era trousers became acceptable casual wear for gardening, the beach, and other leisure pursuits. In Britain during the Second World War, because of the rationing of clothing, many women took to wearing their husbands' civilian clothes, including their trousers, to work while their husbands were away in the armed forces. This was partly because they were seen as practical garments of workwear, and partly to allow women to keep their clothing allowance for other uses. As this practice of wearing trousers became more widespread and as the men's clothes wore out, replacements were needed, so that by the summer of 1944 it was reported that sales of women's trousers were five times more than in the previous year. In the 1960s, André Courrèges introduced long trousers for women as a fashion item, leading to the era of the pantsuit and designer jeans and the gradual eroding of the prohibitions against girls and women wearing trousers in schools, the workplace, and fine restaurants. Pleats. Pleats just below the waistband on the front are typical of many styles of formal and casual trousers including suit trousers and khakis. There may be one, two, three, or no pleats, which may face either direction. When the pleats open towards the pockets they are called reverse pleats (typical of khakis and corduroy trousers) and when they open toward the zipper, they are known as forward pleats. Utilitarian or very casual styles such as jeans and cargo pants are flat-front (without pleats at the waistband) but may have bellows pockets. Cuffs. Most trouser legs are finished by hemming the bottom to prevent fraying. Trousers with cuffs ("turn-ups" in British English), after hemming, are rolled outward and sometimes pressed or stitched into place. The main reason for the cuffs is to add weight to the bottom of the leg, to help the drape of the trousers. Fly. A fly on clothing is a covering over an opening join concealing the mechanism, such as a zip, velcro or buttons used to join the opening. The term is most frequently applied to a short opening in trousers, shorts and other garments covering the groin, and to allow garments to be taken on and off with greater ease. Trousers have varied historically in whether or not they have flies. Originally, hose did not cover between the legs, which was hidden by a codpiece, and when breeches were worn, for example in the Regency period, they were fall-fronted (or broad fall). After trousers (pantaloons) were later invented later the fly-front (split fall) emerged. Later the panelled front returned as a sporting option, such as in riding breeches, but is now hardly used, flies being by far the most common fastening. Most flies now use a zip, A bell'" is a simple sound-making device. The bell is a percussion instrument and an idiophone. Its form is usually an open-ended hollow drum which resonates upon being struck. The striking implement can be a tongue suspended within the bell, known as a "clapper", a small, free sphere enclosed within the body of the bell, or a separate mallet. Bells are usually made of cast metal, but small bells can also be made from ceramic or glass. Bells can be of all sizes: from tiny dress accessories to church bells weighing many tons. Church and temple bells. In the Western world, its most classical form is a church bell or town bell, which is hung within a tower and sounded by having the entire bell swung by ropes, whereupon an internal hinged clapper strikes the body of the bell (called a free-swinging bell). A set of bells, hung in a circle for change ringing, is known as a ring of bells. In the Eastern world, the traditional forms of bells are temple and palace bells, small ones being rung by a sharp rap with a stick, and very large ones rung by a blow from the outside by a large swinging beam. The striking technique is employed worldwide for some of the largest tower-borne bells, because swinging the bells themselves could damage their towers. In the Roman Catholic Church and among some High Lutherans and Anglicans, small hand-held bells, called Sanctus or sacring bells, are often rung by a server at Mass when the priest holds high up first the host, and then the chalice immediately after he has said the words of consecration over them (the moment known as the Elevation). This serves to indicate to the congregation that the bread and wine have just been transformed into the body and blood of Christ (see transubstantiation), or, in the alternative Reformation teaching, that Christ is now bodily present in the elements, and that what the priest is holding up for them to look at is Christ himself (see consubstantiation). Japanese religious bells. Japanese Shintoist and Buddhist bells are used in religious ceremonies. "Suzu", a homophone meaning both "cool and refreshing," are spherical bells which contain metal pellets that produce sound from the inside. The hemispherical bell is the "Kane" bell, which is struck on the outside. See also Kane (musical instrument). Buddhist bells. Buddhist bells are used in religious ceremonies. Bell construed as a cause for war. On January 15, 1602 ("Keichō 7"), a fire broke out at Hōkō-ji, Buddhist temple complex in Kyoto. The great image of the Buddha and the structure housing the statue, the "Daibutsu-den", were both consumed by the flames. In 1610, Toyotomi Hideyori decided to sponsor rebuilding the Hōkō-ji and he also decided to order a great bell cast in bronze. On August 24, 1614 ("Keichō 19"), the huge new bronze bell was cast successfully. Dedication ceremonies were scheduled, but at the last minute, Tokugawa Ieyasu forbade the ceremonies to take place because he construed inscriptions on the bell to have been a personal affront: This contrived dispute led to the, which was a series of battles between armies of the Tokugawa shogunate and the samurai of the Toyotomi clan. The siege lasted through 1615. It is conventionally divided into two stages: the Winter Campaign and the Summer Campaign. In the end, the total destruction of the Toyotomi eliminated the last major opposition to the shogunate which would come to dominate Japan for the next 250 years. Bellmaking. The process of casting bells is called bellmaking or bellfounding, and in Europe dates to the 4th or 5th century. The traditional metal for these bells is a bronze of about 23% tin. Known as "bell metal", this alloy is also the traditional alloy for the finest Turkish and Chinese cymbals. Other materials sometimes used for large bells include brass and iron. Bells are always cast mouth down. Bells are made to exact formulas, so that given the diameter it is possible to calculate every dimension, and its musical note, or tone. The frequency of a bell's note in Hz varies with the square of its thickness, and inversely with its diameter. Much experimentation has been devoted to determining the exact shape that will give the best tone. The thickness of a church bell at its thickest part, called the 'sound bow' is usually one thirteenth its diameter. If the bell is mounted as cast, it is called a "maiden bell" while "tuned bells" are worked after casting to produce a precise note. Bell towers. Bells are also associated with clocks, indicating the hour by ringing. Indeed, the word "clock" comes from the Latin word "cloca", meaning bell. Clock towers or bell towers can be heard over long distances which was especially important in the time when clocks were too expensive for widespread use. In the case of clock towers and grandfather clocks, a particular sequence of tones may be played to represent the hour. One common pattern is called the "Westminster Quarters," a sixteen-note pattern named after the Palace of Westminster which popularized it as the measure used by "Big Ben". Bells as musical instruments. Some bells are used as musical instruments, such as carillons, (clock) chimes, or ensembles of bell-players, called bell choirs, using hand-held bells of varying tones. A "ring of bells" is a set of 4 to twelve bells or more used in change ringing, a particular method of ringing bells in patterns. A peal in changing ringing may have bells playing for several hours, playing 5,000 or more patterns without a break or repetition.. Ancient Chinese bells. The ancient Chinese bronze chime bells called bianzhong or (鐘) are among the highest achievements of Chinese bronze casting technology. These chime bells were used as polyphonic musical instruments and some of these bells have been dated at between 2000 to 3600 years old. The secret of the design and the method of casting zhong bells, which was known only to the Chinese in antiquity, was lost in later generations. It was not fully rediscovered and understood until 1978, when a complete ceremonial set of 65 "zhong" bells was found in a near-perfect state of preservation during the excavation of the of Marquis Yi, who died ca. 430BCE. Yi was ruler of Zeng, one of the Warring States which at the time of his death was under control of the Chǔ state. This region is now part of the present-day Hubei province. Although tuned bells have been created and used for musical performance in many cultures, zhong are unique among all other types of cast bells in several respects. They have a lens-shaped (rather than circular) section and the bell mouth has a distinctive "cutaway" profile, and this special shape gives zhong bells the remarkable ability to produce, depending on where they are struck. The interval between these notes on each bell is either a major or minor third, equivalent to a distance of four or five notes on a piano.. The bells of Marquis Yi, which are still fully playable after almost 2500 years, cover a range of slightly less than five octaves but thanks to their twin-tone capability, the set can sound a complete 12-tone scale, predating the development of the European 12-tone system by some 2000 years, and can play melodies in diatonic and pentatonic scales These bells usually have inscriptions on them from which scholars used as references for studying ancient Chinese writings (also known as Bronzeware script). Another related ancient Chinese musical instrument is called qing (pinyin qing4) but it was made of stone instead of metal. Konguro'o. Konguro'o is a small bell, which as well as Djalaajyn firstly had the utilitarian purposes and only after artistic ones. Konguro'o sounded by the time of moving to the new places, being fastened to the horse harness it created very specific "smart" sound background. Konguro'o also hanged on the neck of leader goat, which leads the flock of sheep in some definite direction. That is why in folk memory almost magic sound of konguro'o was associated with nomadic mode of life. To make this instrument Kyrgyz foremen used cooper, bronze, iron and brass. They also decorated it with artistic carving and covered with silver. Sizes of the instruments might vary in considerable limits, what depended on its function. Every bell had its own timbre. Chimes. A variant on the bell is the tubular bell. Several of these metal tubes which are struck manually with hammers, form an instrument named "tubular bells" or "chimes". In the case of wind or aeolian chimes, the tubes are blown against one another by the wind. Farm bells. Whereas the church and temple bells called to mass or religious service, bells were used on farms for more secular signaling. The greater farms in Scandinavia usually had a small bell-tower resting on the top of the barn. The bell was used to call the workers from the field at the end of the day's work. In folk tradition, it is recorded that each church and possibly several farms had their specific rhymes connected to the sound of the specific bells. An example is the Pete Seeger song "The Bells of Rhymney".

pants	bell
top 10 words in brain distribution (in article): wear woman century type clothe term time allow dress fashion	top 10 words in brain distribution (in article): produce wine contain state world common time type process century
top 10 words in brain distribution (not in article): light horse drink lamp wine beer water bottle produce design	top 10 words in brain distribution (not in article): plant light drink fruit lamp water seed beer grow sugar
times more probable under pants 30 20 10 6 4 2.5 1.25 1 1.25 2.5 4 6 10 20 30 times more probable under bell (words not in the model)
Trousers'" are an item of clothing worn on the lower part of the body from the waist to the ankles, covering both legs separately (rather than with cloth stretching across both as in skirts and dresses). Such items of clothing are often referred to as "'pants'" in countries such as Canada, South Africa and The United States. Additional synonyms include "'slacks'", "'kegs'" or "'kex'", "'breeches'" (sometimes) or "'breeks'". Historically, as for the West, trousers have been the standard lower-body clothing item for males since the 16th century; by the late 20th century, they had become prevalent for females as well. Trousers are worn at the hips or waist, and may be held up by their own fastenings, a belt, or suspenders (braces). Leggings are form-fitting trousers of a clingy material, often knitted cotton and lycra. Terminology. In North America, "pants" is the general category term, and "trousers" refers, often more formally, specifically to tailored garments with a waistband and (typically) belt-loops and a fly-front. For instance, informal elastic-waist knitted garments would never be called "trousers" in the U.S. Undergarments are called "underwear", "underpants", or "panties" (the last are women's garments specifically) to distinguish them from other pants that are worn on the outside. The term "drawers" normally refers to undergarments, but in some dialects, may be found as a synonym for "breeches", that is, trousers. In these dialects, the term "underdrawers" is used for undergarments. In Australia the terms "pants" and "trousers" are synonymous. In most parts of the United Kingdom, "trousers" is the general category term, and "pants" refers to underwear. In some parts of Scotland, trousers are known as "trews"; taken from the early Middle English "trouse", its plural developed into "trousers". Various people in the contemporary fashion industry use the word "pant" instead of "pants". This is grammatically incorrect. The word pants is a "plurale tantum", always in plural form much like the words scissors and tongs. The origin of pants is due to the use of two pieces of cloth in making it. Pant would actually mean just a single leg being covered with clothing. History. Nomadic Eurasian horsemen such as the Iranian Scythians, along with Achaemenid Persians, were among the first to wear trousers. In ancient China, trousers were only worn by soldiers. The first european appearance of trousers was in Hungary in the IX century. Men's clothes in Hungary in the 15th century consisted of a shirt and trousers as underwear, and a dolman worn over them, as well as a short fur-lined or sheepskin coat. At special occasions people wore gowns made of expensive materials, and these preferred by Pipo of Ozora too. Hungarian people had unique hair styles and wore high (fur) caps. Their trousers were simple in general, only their colour being unusual, but the dolman covered the greater part of the trousers. Trousers were introduced into Western European culture at several points in history, but gained their current predominance only in the 16th century, from a Commedia dell'Arte character named "Pantalone" (Italian word for Trousers). In England in the Twelfth century, the rustic were often seen in long garments to the ankle, rather like trousers, which are really glorified braies. Strangely enough, trouserlike garments, which became rare again in the thirteenth century, vanished during the fourteenth century and scarcely reappeared for six hundred years. The word itself is of Gaelic or Scots Gaelic origin, from the Middle Irish word "triubhas" (close-fitting shorts), however it is important to note that trews of the Early Industrial Period were in not trousers. Men's trousers. Trousers trace their ancestry to the individual hose worn by men in the 15th century (which is why trousers are plural and not singular). The hose were easy to make and fastened to a doublet at the top with ties called "points". It is important that at this point in time, these were not trousers, but trews, as can be seen in the 1746 painting by David Morier.. As time went by, the two hose were joined, first in the back then across the front, but still leaving a large opening for sanitary functions. Originally, doublets came almost to the knees, effectively covering the private parts, but as fashions changed and doublets became shorter, it became necessary for men to cover their genitals with a codpiece. By the end of the 16th century, the codpiece had been incorporated into the hose, now usually called breeches, which were roughly knee-length and featured a "fly" or "fall front" opening. During the French Revolution, the male citizens of France adopted a working-class costume including ankle-length trousers or pantaloons in place of the aristocratic knee-breeches. This style was introduced to England in the early 19th century, possibly by Beau Brummell, and supplanted breeches as fashionable street wear by mid-century. Breeches survived into the 1940s as the plus-fours or knickers worn for active sports and by young school-boys. Types of breeches are still worn today by baseball and American football players. Sailors may have played a role in the dissemination of trousers as a fashion around the world. In the 17th and 18th centuries, sailors wore baggy trousers known as "galligaskins". Sailors were also the first to wear jeans, trousers made of denim. These became more popular in the late 19th century in the American West, because of their ruggedness and durability. Women's trousers. Although trousers for women in western countries did not become fashion items until the later 20th century, women began wearing men's trousers (suitably altered) for outdoor work a hundred years earlier. Starting around the mid 19th Century, Wigan "pit brow girls" scandalized Victorian society by wearing trousers for their work at the local coal mines. They wore skirts over their trousers and rolled them up to their waist to keep them out of the way. Although "pit brow lassies" worked above-ground at the pit-head, the task of sorting and shovelling coal was hard manual labour, so wearing the usual long skirts of the time would have greatly hindered their movements. Women working the ranches of the 19th century American West also wore trousers for riding, and in the early 20th century aviatrices and other working women often wore trousers. Actresses Marlene Dietrich and Katharine Hepburn were often photographed in trousers from the 1930s and helped make trousers acceptable for women. During World War II, women working in factories and doing other forms of "men's work" on war service wore trousers when the work demanded it, and in the post-war era trousers became acceptable casual wear for gardening, the beach, and other leisure pursuits. In Britain during the Second World War, because of the rationing of clothing, many women took to wearing their husbands' civilian clothes, including their trousers, to work while their husbands were away in the armed forces. This was partly because they were seen as practical garments of workwear, and partly to allow women to keep their clothing allowance for other uses. As this practice of wearing trousers became more widespread and as the men's clothes wore out, replacements were needed, so that by the summer of 1944 it was reported that sales of women's trousers were five times more than in the previous year. In the 1960s, André Courrèges introduced long trousers for women as a fashion item, leading to the era of the pantsuit and designer jeans and the gradual eroding of the prohibitions against girls and women wearing trousers in schools, the workplace, and fine restaurants. Pleats. Pleats just below the waistband on the front are typical of many styles of formal and casual trousers including suit trousers and khakis. There may be one, two, three, or no pleats, which may face either direction. When the pleats open towards the pockets they are called reverse pleats (typical of khakis and corduroy trousers) and when they open toward the zipper, they are known as forward pleats. Utilitarian or very casual styles such as jeans and cargo pants are flat-front (without pleats at the waistband) but may have bellows pockets. Cuffs. Most trouser legs are finished by hemming the bottom to prevent fraying. Trousers with cuffs ("turn-ups" in British English), after hemming, are rolled outward and sometimes pressed or stitched into place. The main reason for the cuffs is to add weight to the bottom of the leg, to help the drape of the trousers. Fly. A fly on clothing is a covering over an opening join concealing the mechanism, such as a zip, velcro or buttons used to join the opening. The term is most frequently applied to a short opening in trousers, shorts and other garments covering the groin, and to allow garments to be taken on and off with greater ease. Trousers have varied historically in whether or not they have flies. Originally, hose did not cover between the legs, which was hidden by a codpiece, and when breeches were worn, for example in the Regency period, they were fall-fronted (or broad fall). After trousers (pantaloons) were later invented later the fly-front (split fall) emerged. Later the panelled front returned as a sporting option, such as in riding breeches, but is now hardly used, flies being by far the most common fastening. Most flies now use a zip,	A bell'" is a simple sound-making device. The bell is a percussion instrument and an idiophone. Its form is usually an open-ended hollow drum which resonates upon being struck. The striking implement can be a tongue suspended within the bell, known as a "clapper", a small, free sphere enclosed within the body of the bell, or a separate mallet. Bells are usually made of cast metal, but small bells can also be made from ceramic or glass. Bells can be of all sizes: from tiny dress accessories to church bells weighing many tons. Church and temple bells. In the Western world, its most classical form is a church bell or town bell, which is hung within a tower and sounded by having the entire bell swung by ropes, whereupon an internal hinged clapper strikes the body of the bell (called a free-swinging bell). A set of bells, hung in a circle for change ringing, is known as a ring of bells. In the Eastern world, the traditional forms of bells are temple and palace bells, small ones being rung by a sharp rap with a stick, and very large ones rung by a blow from the outside by a large swinging beam. The striking technique is employed worldwide for some of the largest tower-borne bells, because swinging the bells themselves could damage their towers. In the Roman Catholic Church and among some High Lutherans and Anglicans, small hand-held bells, called Sanctus or sacring bells, are often rung by a server at Mass when the priest holds high up first the host, and then the chalice immediately after he has said the words of consecration over them (the moment known as the Elevation). This serves to indicate to the congregation that the bread and wine have just been transformed into the body and blood of Christ (see transubstantiation), or, in the alternative Reformation teaching, that Christ is now bodily present in the elements, and that what the priest is holding up for them to look at is Christ himself (see consubstantiation). Japanese religious bells. Japanese Shintoist and Buddhist bells are used in religious ceremonies. "Suzu", a homophone meaning both "cool and refreshing," are spherical bells which contain metal pellets that produce sound from the inside. The hemispherical bell is the "Kane" bell, which is struck on the outside. See also Kane (musical instrument). Buddhist bells. Buddhist bells are used in religious ceremonies. Bell construed as a cause for war. On January 15, 1602 ("Keichō 7"), a fire broke out at Hōkō-ji, Buddhist temple complex in Kyoto. The great image of the Buddha and the structure housing the statue, the "Daibutsu-den", were both consumed by the flames. In 1610, Toyotomi Hideyori decided to sponsor rebuilding the Hōkō-ji and he also decided to order a great bell cast in bronze. On August 24, 1614 ("Keichō 19"), the huge new bronze bell was cast successfully. Dedication ceremonies were scheduled, but at the last minute, Tokugawa Ieyasu forbade the ceremonies to take place because he construed inscriptions on the bell to have been a personal affront: This contrived dispute led to the, which was a series of battles between armies of the Tokugawa shogunate and the samurai of the Toyotomi clan. The siege lasted through 1615. It is conventionally divided into two stages: the Winter Campaign and the Summer Campaign. In the end, the total destruction of the Toyotomi eliminated the last major opposition to the shogunate which would come to dominate Japan for the next 250 years. Bellmaking. The process of casting bells is called bellmaking or bellfounding, and in Europe dates to the 4th or 5th century. The traditional metal for these bells is a bronze of about 23% tin. Known as "bell metal", this alloy is also the traditional alloy for the finest Turkish and Chinese cymbals. Other materials sometimes used for large bells include brass and iron. Bells are always cast mouth down. Bells are made to exact formulas, so that given the diameter it is possible to calculate every dimension, and its musical note, or tone. The frequency of a bell's note in Hz varies with the square of its thickness, and inversely with its diameter. Much experimentation has been devoted to determining the exact shape that will give the best tone. The thickness of a church bell at its thickest part, called the 'sound bow' is usually one thirteenth its diameter. If the bell is mounted as cast, it is called a "maiden bell" while "tuned bells" are worked after casting to produce a precise note. Bell towers. Bells are also associated with clocks, indicating the hour by ringing. Indeed, the word "clock" comes from the Latin word "cloca", meaning bell. Clock towers or bell towers can be heard over long distances which was especially important in the time when clocks were too expensive for widespread use. In the case of clock towers and grandfather clocks, a particular sequence of tones may be played to represent the hour. One common pattern is called the "Westminster Quarters," a sixteen-note pattern named after the Palace of Westminster which popularized it as the measure used by "Big Ben". Bells as musical instruments. Some bells are used as musical instruments, such as carillons, (clock) chimes, or ensembles of bell-players, called bell choirs, using hand-held bells of varying tones. A "ring of bells" is a set of 4 to twelve bells or more used in change ringing, a particular method of ringing bells in patterns. A peal in changing ringing may have bells playing for several hours, playing 5,000 or more patterns without a break or repetition.. Ancient Chinese bells. The ancient Chinese bronze chime bells called bianzhong or (鐘) are among the highest achievements of Chinese bronze casting technology. These chime bells were used as polyphonic musical instruments and some of these bells have been dated at between 2000 to 3600 years old. The secret of the design and the method of casting zhong bells, which was known only to the Chinese in antiquity, was lost in later generations. It was not fully rediscovered and understood until 1978, when a complete ceremonial set of 65 "zhong" bells was found in a near-perfect state of preservation during the excavation of the of Marquis Yi, who died ca. 430BCE. Yi was ruler of Zeng, one of the Warring States which at the time of his death was under control of the Chǔ state. This region is now part of the present-day Hubei province. Although tuned bells have been created and used for musical performance in many cultures, zhong are unique among all other types of cast bells in several respects. They have a lens-shaped (rather than circular) section and the bell mouth has a distinctive "cutaway" profile, and this special shape gives zhong bells the remarkable ability to produce, depending on where they are struck. The interval between these notes on each bell is either a major or minor third, equivalent to a distance of four or five notes on a piano.. The bells of Marquis Yi, which are still fully playable after almost 2500 years, cover a range of slightly less than five octaves but thanks to their twin-tone capability, the set can sound a complete 12-tone scale, predating the development of the European 12-tone system by some 2000 years, and can play melodies in diatonic and pentatonic scales These bells usually have inscriptions on them from which scholars used as references for studying ancient Chinese writings (also known as Bronzeware script). Another related ancient Chinese musical instrument is called qing (pinyin qing4) but it was made of stone instead of metal. Konguro'o. Konguro'o is a small bell, which as well as Djalaajyn firstly had the utilitarian purposes and only after artistic ones. Konguro'o sounded by the time of moving to the new places, being fastened to the horse harness it created very specific "smart" sound background. Konguro'o also hanged on the neck of leader goat, which leads the flock of sheep in some definite direction. That is why in folk memory almost magic sound of konguro'o was associated with nomadic mode of life. To make this instrument Kyrgyz foremen used cooper, bronze, iron and brass. They also decorated it with artistic carving and covered with silver. Sizes of the instruments might vary in considerable limits, what depended on its function. Every bell had its own timbre. Chimes. A variant on the bell is the tubular bell. Several of these metal tubes which are struck manually with hammers, form an instrument named "tubular bells" or "chimes". In the case of wind or aeolian chimes, the tubes are blown against one another by the wind. Farm bells. Whereas the church and temple bells called to mass or religious service, bells were used on farms for more secular signaling. The greater farms in Scandinavia usually had a small bell-tower resting on the top of the barn. The bell was used to call the workers from the field at the end of the day's work. In folk tradition, it is recorded that each church and possibly several farms had their specific rhymes connected to the sound of the specific bells. An example is the Pete Seeger song "The Bells of Rhymney".